The newspaper has also been redesigned, with a focus on "deep reporting and analysis", according to a letter by publisher Arthur Sulzberger. There are no news-in-brief items, the sport section has been shortened, the opinion and editorial section has been expanded (including a new front-page opinion column), and four pages have been added. In summary, the paper feels more like its weekend edition.
12 October 2016
The New York Times
The newspaper has also been redesigned, with a focus on "deep reporting and analysis", according to a letter by publisher Arthur Sulzberger. There are no news-in-brief items, the sport section has been shortened, the opinion and editorial section has been expanded (including a new front-page opinion column), and four pages have been added. In summary, the paper feels more like its weekend edition.
11 October 2016
The Book Of Books
The featured books range from incunabula such as the Nuremberg Chronicle (Hartmann Schedel, 1493) to Modernist publications including Jan Tschichold's Foto-Auge (1929) and contemporary design monographs like Made You Look (Stefan Sagmeister, 2001). Renaissance masterpieces such as De Humani Corporis Fabrica (Andreas Vesalius, 1543) are included, as are classic works of the Enlightenment such as Denis Diderot's Encyclopedie (1751). A 1521 edition of De Architectura (Marcus Vitruvius) is followed by Geoffrey Tory's Champ Fleury (1529), which includes illustrations inspired by Leonardo's Vitruvian Man.
The book was published to accompany an exhibition at the University of Amsterdam, The Printed Book: A Visual History, and all of the featured books are from the University library's collection. (The first illustration, a page from the Gutenberg Bible, is the sole exception.) The 17th century was a golden age of Dutch printing, and the book includes examples such as a 1664 edition of Joan Blau's Atlas Maior, "the biggest and most expensive atlas internationally available at that time."
The Book Of Books includes a comprehensive bibliography. A History Of Graphic Design (Philip B Meggs), The Book: A Global History (Michael F Suarez and HR Woudhuysen), and 500 Years Of Printing (SH Steinberg) also cover the history of printed books; Printing Types (Daniel Updike; in two volumes) is the standard history of typography.
07 October 2016
Betrayal
The updated edition, released alongside the film, has a preface by Spotlight's director and screenwriter: "We hope that our movie, along with the rerelease of this incredible documentation of the Globe Spotlight Team's reporting, might help further the argument for traditional investigative journalism". It also has a new afterword analysing the repercussions of the investigation: "The crisis seeped deep into American popular culture, transforming how Catholicism was viewed and treated."
Like All The President's Men (and No Expenses Spared), Betrayal was written by the investigative journalists themselves (namely Matt Carroll, Kevin Cullen, Thomas Farragher, Stephen Kurkjian, Michael Paulson, Sacha Pfeiffer, Michael Rezendes, and Walter V Robinson). It includes copies of the documents obtained during the investigation, and detailed notes.
BBC News:
“We stand by our journalism...”
The BBC released a statement saying: “we are very sorry that Sir Cliff has suffered distress but we have a duty to report on matters of public interest and we stand by our journalism.” Richard was named by the BBC and other media organisations after an investigation into allegations of sexual assault was launched. He was one of several public figures (including Alistair McAlpine) investigated as part of Operation Yewtree.
Ultimately, no charges were brought against him, though he argues that his reputation was damaged by the BBC’s coverage of the investigation. (Media coverage after the initial police search was largely sympathetic, with the tabloids reporting the investigation as an ordeal for Richard and presupposing that he was innocent.)
04 October 2016
Citizen Reporters
The report, part of a series titled Citizen Reporters (นักข่าวพลเมือง), alleged that a recently-opened gold mine in Loei, northern Thailand, has caused water pollution and other environmental damage. The segment was presented by a local schoolgirl, Wanphen Khunna, who is being sued along with several Thai PBS journalists.
03 October 2016
Fundamental

02 October 2016
The Daily Telegraph
The article was published on 19th September, accompanied by a large photograph of the family in question. Based on this coverage, two UK newspapers (The Sun and The Times) applied for the removal of the injunction preventing publication of the names of those involved. The judge lifted the injunction in relation to the boy's parents, though their son's identity remains protected, and he can be identified only as D by UK media organisations.
In his judgement, the judge noted The Daily Telegraph's unusually privileged access to the details of the case: "articles appeared in this jurisdiction in The Times, Daily Mail and The Sun. In these the parties' identities were not revealed. However an article also appeared in the Daily Telegraph of Sydney, together with an accompanying photograph, in which the parties and D were named. It is difficult to understand how that newspaper obtained the details for that story".
As in the case of the National Enquirer, The Daily Telegraph's publication of D's identity provided a convenient defence for the UK newspapers, as they could argue that the injunction had already been broken elsewhere and that it would, therefore, be ineffective to maintain it in the UK. This explanation is plausible as The Daily Telegraph, The Times, and The Sun all have the same proprietor, Rupert Murdoch.
Selfie Series


01 October 2016
Meetings With Remarkable Manuscripts
As de Hamel explains in his introduction, his aim is "to invite the reader to accompany the author on a private journey to see, handle and interview some of the finest illuminated manuscripts of the Middle Ages." The word 'interview' has an element of anthropomorphism, which de Hamel readily acknowledges: "The life of every manuscript, like that of every person, is different, and all have stories to divulge."
Twelve manuscripts are featured, each with its own chapter. The selection is diverse and representative: "I have singled out volumes which seemed to me characteristic of each century, from the sixth to the sixteenth." In each case, de Hamel provides a detailed analysis of the manuscript's text and illuminations, with photographs of sample pages. He also gives thorough commentaries on provenance, collation, and restoration.
In addition to the manuscripts themselves, de Hamel also describes the various libraries in which they're kept. The Long Room of Trinity College, Dublin, for example, is a "magnificent polished wooden cathedral of books". He sets the scene with incidental details about each institution, from the officious St Petersberg National Library ("No, she informed me firmly: no printed books were allowed in the reading room. I begged and pleaded to no avail") to the laissez-faire Leiden University ("There was no nonsense about wearing gloves. I can see why everyone likes the Dutch").
The most remarkable of the twelve Remarkable Manuscripts is undoubtedly the Book of Kells. In fact, de Hamel calls it "probably the most famous and perhaps the most emotively charged medieval book of any kind." Surprisingly, he bluntly criticises the illustrations in the Book of Kells, describing a portrait of the Virgin Mary as "dreadfully ugly." Of the Book's text pages, on the other hand, he has the highest praise: "Every sentence opens with a complex calligraphic initial filled with polychromic artistry, like enamel-encrusted jewellery."
The illustrations in the Book of Kells are not technically illuminations, as they do not include gold decoration. The Copenhagen Psalter, which does contain gold illuminations, is "one of the most beautifully illustrated books in the world." This Psalter is described in terms almost as superlative as the Book of Kells: "Every page shimmers with burnished gold and splendid ornament. The script is calligraphically magnificent." (The original owner of this Psalter, Valdemar I of Denmark, is one of several new discoveries de Hamel makes as he examines the manuscripts.)
Another highlight is the Leiden Aratea, which includes a planetarium that was duplicated in the Harmonia Macrocosmica. Incredibly, de Hamel notes that modern astronomers have used the positions of the planets as depicted in the planetarium to calculate the precise date of its composition: 18th March 816.
This is a fascinating introduction to twelve otherwise inaccessible manuscripts, written by the world's leading authority: de Hamel's earlier book A History Of Illuminated Manuscripts has become the standard text on the subject. (He also wrote a chapter of The Book: A Global History.)
Meetings With Manuscripts includes a comprehensive annotated bibliography, though there are a few other manuscript histories that are worth highlighting: Illuminated Manuscripts by JA Herbert (from the Connoisseur's Library series), Codices Illustres by Ingo F Walther and Norbert Wolf (with superb illustrations), A History Of Book Illustration by David Bland (a concise global survey), and (although de Hamel has previously dismissed it) The Illuminated Book by David Diringer.
Alex Steinweiss
Steinweiss was working for Columbia Records when he designed an illustrated cover for their 1940 Richard Rogers album Smash Song Hits. In The Art Of The Album Cover, Richard Evans calls Steinweiss "the inventor of the individual album cover," and Nick de Ville's more comprehensive book on the same subject, Album, notes that the 1940 Steinweiss sleeve "resulted in the launch of illustrated covers for albums".
Taschen's book is the definitive study of Steinweiss and his work, with many full-page reproductions of his record covers and other examples of graphic design. (His 1942 Beethoven's Emperor concerto cover "may well have inspired" Pink Floyd's The Dark Side Of The Moon.) It also includes a lengthy essay by Steven Heller, Visualizing Music. (An earlier book on Steinweiss, For The Record by Jennifer McKnight-Trontz, also has an introduction by Heller.)
30 September 2016
Radio Times Guide To Films 2017
The Radio Times Guide To Films 2017, edited by Sue Robinson, follows the same format as its recent editions, with a vintage cover photograph (in this case, ET: The Extra-Terrestrial) presumably chosen to appeal to its older target demographic. (The traditional Barry Norman endorsement on the cover is an even more clear indication that the intended audience is 'of a certain age'.) It's increasingly surprising that there remains a market for the Radio Times Guide To Films, especially as longer versions of its capsule reviews are available on the Radio Times website, though long may it continue.
This year's edition has 1,712 pages, exactly the same number as last year's edition. 24,039 film reviews are included, slightly more than last year's 24,017. There are 504 new entries (including more than 90 previews), meaning that many older titles have been deleted in order to maintain the same pagination. The total number of reviews is creeping up each year: there were 23,068 in 2012, 23,077 in 2013, and 23,099 in 2014.
New reviews this year include The Hateful Eight ("an immoral western frontier explodes in typical Tarantino, blood-spattered fashion"), The Jungle Book ("finds magic and wonder in the CGI-enabled action"), Independence Day: Resurgence ("the story runs out of steam"), Listen To Me Marlon ("a terrific tapestry of a great star's life"), and Hitchcock/Truffaut ("too much awe and not enough insight"). The book is impressively up-to-date, with reviews of films such as Bridget Jones's Baby that are still on general release.
29 September 2016
100 Diagrams That Changed The World
The 100 diagrams include Renaissance icons such as Copernicus' heliocentric representation of the solar system, Leonardo's Vitruvian Man ("one of the most widely reproduced artistic images"), and an anatomical drawing from Andreas Vesalius' De Humani Corporis Fabrica ("one of the great achievements in the history of printing"). The book also includes the first examples of bar charts and line graphs (both created by William Playfair), Venn diagrams (John Venn), tree diagrams (Porphyry), flow charts (Frank and Lillian Gilbreth), pictograms (Michael George Mulhall), and emoticons (Puck magazine).
The Visual Display Of Quantitative Information, by Edward R Tufte, is the standard text on graph and chart design; Tufte praises Joseph Minard's representation of Napoleon's Russian campaign as "the best statistical graphic ever drawn," though it's not included in 100 Diagrams. The Book Of Trees is a history of tree diagrams. Cartographies Of Time is a comprehensive history of timelines. Leonardo da Vinci 1452-1519 has the most extensive selection of Leonardo's drawings. The Story Of Emoji discusses the development of emoticons. Pictograms, Icons, & Signs traces the evolution of pictograms. Information Graphics and Understanding The World feature contemporary and historical infographics. The BBC4 series The Beauty Of Diagrams profiled six influential diagrams, all of which are included in this book.
28 September 2016
Twentieth-Century Jewellery
The book begins with a fifty-page essay on the development of jewellery design since 1900, which focuses on Europe (especially Italy; it was published in Italian as Gioielli Del Novocento) and America, though also briefly mentions Russia and Japan. Cappellieri cites the pave secret, serti mysterieux technique of Van Cleef & Arpels as "one of the most important innovations in the history of twentieth-century jewellery".
Cappellieri also discusses "the transitions between jewellery and the arts: design, architecture and fashion". This cultural context is sometimes excessive (for example, a full-page reproduction of a Giacomo Balla painting "that beautifully sums up the period between 1929 and the end of the Second World War. On 24 October 1929, which was a Thursday, the Dow Jones index crashed...").
Nevertheless, Twentieth-Century Jewellery is a comprehensive survey of modern jewellery, featuring jewels from a wider range of sources than other books on the subject. H Clifford Smith wrote Jewellery, the first comprehensive jewellery history, in 1908. A History Of Jewellery 1100-1870 (Joan Evans, 1953) is the other standard work. Modern Jewellery: An International Survey 1890-1963 (Graham Hughes, 1963) was the first guide to modern jewellery design. 7,000 Years Of Jewellery (Hugh Tait, 1986) is the most comprehensive international history of jewellery.
24 September 2016
Allergic Realities
One of the paintings (Thammasat Hanging) is based on the notorious Neal Ulevich photograph of a public lynching following the 1976 Thammasat University protest. The photo was also appropriated by Manit Sriwanichpoom for Horror In Pink (ปีศาจสีชมพู), featuring Manit's trademark 'Pink Man' as an incongruous spectator. Vasan Sitthiket's Blue October (ตุลาลัย) series included a version of the photograph painted in mournful blue, with gold leaf to honour the hanged man, and the sarcastic title This Is the Buddhism Country (นี่แหละหนอเมืองพระพุทธศาสนา). The two central figures appear in silhouette in Sitthiphorn Anthawonksa's Death of Book (ศพหนังสือ), shown at the Art for Freedom (ศิลปะเพื่อเสรีภาพ) exhibition at the Pridi Banomyong Institute in 2013. Sutee Kunavichayanont carved it into a wooden desk for his History Class (ห้องเรียนประวัติศาสตร์) installation. The image even featured on the cover of Holiday in Cambodia, a single by the Dead Kennedys (ironically, given the song's title).
Another Thai artist, Pornprasert Yamazaki, has also painted with blood; his work was shown at the Swallow, Currency Crisis, and Suicide Mind exhibitions. Manit Sriwanichpoom soaked autopsy photographs in blood for Died On 6th October 1976. UDD protesters painted a banner in blood at Democracy Monument, and Kristian von Hornsleth collected Thai blood samples for his Deep Storage Art Project.
Kosit previously painted with blood during performances in the 1990s (as documented in Thailand Eye), and he has also used other bodily fluids as a medium: his painting Copulate With Love (at MAIIAM) is labelled "Ejaculation on canvas (Kosit's spermatozoa)". Allergic Realities opened at Bangkok University Gallery on 17th September, and runs until 30th October.
22 September 2016
Charlie Hebdo
230 residents of Amatrice were killed in last month's earthquake. On 31st August, Charlie Hebdo published a cartoon comparing the victims to pasta dishes. The cartoon was criticised as deeply insensitive, and Charlie Hebdo faced similar criticism last year when it printed cartoons of Alan Kurdi. The newspaper first caused controversy in 2006, with its front-page cartoon of Mohammed.
A dozen Charlie Hebdo staff were killed in a terrorist attack last January, and the newspaper responded defiantly with another front-page Mohammed caricature. Its offices were firebombed in 2011, after it published a Charia Hebdo issue guest-edited by Mohammed. In 2012, it printed a cartoon of Mohammed naked. In 2013, it produced a comic-strip biography of Mohammed titled La Vie De Mahomet (parts 1 and 2), followed by an expanded edition. In 2014, it published a front-page cartoon of Mohammed being beheaded by an Islamic State terrorist.
15 September 2016
Bangkok Screening Room

Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives (ลุงบุญมีระลึกชาติ) will be shown on 23rd to 25th, 27th, 28th, 30th September; 1st, 2nd, 4th, and 6th to 9th October. Carol Reed’s The Third Man, starring Orson Welles, will be screened on 22nd, 24th, 25th, 29th September; and 1st and 4th October. Ishiro Honda’s Godzilla (ゴジラ), which played at the 22nd Open Air Film Festival, is on 23rd, 25th, 28th, 30th September; and 2nd and 5th October. Alfred Hitchcock’s masterpiece Vertigo will be shown on 6th, 8th, 11th, 20th, 22nd, 25th, 27th, and 30th October.
14 September 2016
The 100 Greatest Movies Of All Time
The 100 Greatest Movies are as follows:
1. Citizen Kane
2. The Godfather
3. 2001: A Space Odyssey
4. Blade Runner
5. Apocalypse Now
6. Pulp Fiction
7. Taxi Driver
8. Some Like It Hot
9. Casablanca
10. Singin' In The Rain
11. Chinatown
12. Vertigo
13. Psycho
14. Lawrence Of Arabia
15. The Godfather II
16. Seven Samurai
17. Rear Window
18. Raging Bull
19. Star Wars IV: A New Hope
20. North By Northwest
21. The Third Man
22. Jaws
23. M
24. Dr Strangelove
25. A Clockwork Orange
26. GoodFellas
27. The Searchers
28. Gone With The Wind
29. Sunset Boulevard
30. Alien
31. Tokyo Story
32. Schindler's List
33. One Flew Over The Cuckoo's Nest
34. It's A Wonderful Life
35. The Good, The Bad, & The Ugly
36. The Wizard Of Oz
37. Once Upon A Time In The West
38. The Apartment
39. Annie Hall
40. The Lord Of The Rings I: The Fellowship Of The Ring
41. Fight Club
42. ET: The Extra-Terrestrial
43. All About Eve
44. City Lights
45. Rashomon
46. The 400 Blows
47. The Matrix
48. Raiders Of The Lost Ark
49. 8½
50. The Rules Of The Game
51. Breathless
52. Battleship Potemkin
53. The Wild Bunch
54. Bicycle Thieves
55. The Shawshank Redemption
56. Star Wars V: The Empire Strikes Back
57. Touch Of Evil
58. Sunrise: A Song Of Two Humans
59. The General
60. Metropolis
61. On The Waterfront
62. The Night Of The Hunter
63. Back To The Future
64. The Big Lebowski
65. La Dolce Vita
66. Modern Times
67. The Silence Of The Lambs
68. Amelie
69. Nashville
70. Saving Private Ryan
71. The Shining
72. Double Indemnity
73. Grand Illusion
74. Andrei Rublev
75. Blue Velvet
76. The Seventh Seal
77. Fargo
78. The Deer Hunter
79. American Beauty
80. Terminator II: Judgment Day
81. The Gold Rush
82. Forrest Gump
83. LA Confidential
84. The Dark Knight
85. Les Enfants Du paradis
86. The Passion Of Joan Of Arc
87. Gladiator
88. City Of God
89. Bringing Up Baby
90. Aguirre: The Wrath Of God
91. The Maltese Falcon
92. The Leopard
93. Persona
94. Reservoir Dogs
95. Fanny & Alexander
96. L'Avventura
97. Bonnie & Clyde
98. Die Hard
99.The Usual Suspects
100. Once Upon A Time In America
Controversies
In his essay Beyond Appearances, Pirker discusses "the photographs that you will not see in this book." Sally Mann "refuses to exhibit or reproduce" her portrait of her daughter, Candy Cigarette (1989). Thomas Condon was convicted of "disturbing the peace of the dead" in 2001 after photographing corpses in a Cincinnati morgue, and his photographs cannot be published. Finally, Jackie Onassis won an injunction against a Dior advertisement photographed by Richard Avedon (1983) featuring her lookalike; "This ruling still remains in force", according to Pirker, though the photo was reprinted in Contested Culture (2000; by Jane M Gaines).
Unsurprisingly, there are three photographs from the Swiss edition of Controverses that are not present in the English version. Graham Ovenden was convicted of indecent assault in 2013, and his nude photograph of Maude Hewes (1984) was removed. [It was included in the Channel 4 documentary For The Sake Of The Children (28th August 1997) and in issue sixteen of Gauntlet magazine (1998).] The nude portrait of Brooke Shields by Garry Gross (1975) was also omitted, as it was deemed illegal by UK police following the Pop Life exhibition. Irena Ionesco's full-frontal portrait of her daughter (1970) has been replaced by a topless portrait of her (1978).
10 September 2016
Fashion 150
Coco Chanel's petite robe noir ("the little black dress that gave rise to the Chanel legend") and two-tone suit ("the magnum opus of a lifetime; it is the perfect garment") are included, as is the 'New Look' created by Christian Dior: "Dior showed his first collection and the world stopped to marvel. It was one of the most important fashion moments in history."
The Thames & Hudson Dictionary Of Fashion & Fashion Designers and The Fashion Book both profile more designers, though they have capsule-style entries whereas Fashion 150 has more depth. The three-volume Encyclopedia Of Clothing & Fashion (edited by Valerie Steele) is the most comprehensive, though Fashion 150 is more up-to-date and has better illustrations.
07 September 2016
All the President’s Men:
The Greatest Reporting Story of All Time

In 1972, Nixon’s ‘White House plumbers’ broke into the Democratic National Committee’s Washington headquarters in the Watergate building. Bob Woodward and Carl Bernstein’s coverage of the Watergate scandal remains arguably the most significant story in the history of journalism, as it ultimately led to Nixon’s resignation.
Nixon insisted he was “not a crook” (at a press conference on 17th November 1973), though he resigned in a live broadcast on 8th August 1974: “because of the Watergate matter I might not have the support of the Congress that I would consider necessary to back the very difficult decisions and carry out the duties of this office in the way the interests of the nation would require... Therefore, I shall resign the Presidency effective at noon tomorrow.”
Nixon’s conspiracy to obstruct the FBI’s investigation into Watergate was revealed by the infamous ‘smoking gun’ tape transcript released on 5th August 1974 after a Supreme Court ruling. On the tape, recorded in the Oval Office on 23rd June 1972, Nixon says: “they should call the FBI in and say that we wish for the country, don’t go any further into this case, period.”
04 September 2016
The Essentials
Each director is represented by a single listed film, except Alfred Hitchcock and Billy Wilder, who deservedly have two and three films each, respectively. Whereas most film lists include recent titles, this has no films from the last thirty years. Also unusually for a list-based book, it features an extensive bibliography.
The Must-See Movies are as follows:
- Metropolis
- All Quiet On The Western Front
- City Lights
- Grand Hotel
- King Kong
- Duck Soup
- It Happened One Night
- The Thin Man
- Bride Of Frankenstein
- Swing Time
- Mr Smith Goes To Washington
- Gone With The Wind
- The Lady Eve
- Citizen Kane
- Now Voyager
- Casablanca
- Double Indemnity
- Meet Me In St. Louis
- Leave Her To Heaven
- The Best Years Of Our Lives
- Out Of The Past
- The Red Shoes
- Bicycle Thieves
- The Third Man
- White Heat
- Adam's Rib
- Winchester '73
- Sunset Boulevard
- Gun Crazy
- All About Eve
- Singin' In The Rain
- Roman Holiday
- Seven Samurai
- On The Waterfront
- Rear Window
- Invasion Of The Body Snatchers
- The Searchers
- Some Like It Hot
- North By Northwest
- Ben-Hur: A Tale Of The Christ
- Breathless
- Lawrence Of Arabia
- To Kill A Mockingbird
- Dr Strangelove
- Bonnie & Clyde
- In The Heat Of The Night
- The Graduate
- Once Upon A Time In The West
- Jaws
- Rocky
- Annie Hall
- This Is Spinal Tap
02 September 2016
"Malicious and harmful
to Mrs. Trump..."
The case was filed today at Montgomery County Circuit Court in Maryland. Donald Trump is notoriously litigious, and Harder has successfully sued the gossip website Gawker into bankruptcy on behalf of another client, Hulk Hogan.
The Mail's article about Melania Trump, written by Natalie Clarke, was published on 20th August (on pages fourteen and fifteen), and also appeared on the newspaper's sensationalist website. After the lawsuit was filed, the Mail went to great lengths to remove all traces of the article online: it was not only deleted from the website, but also expunged from Google's search results, and replaced by the message "Content has been suppressed for editorial and/or legal reasons" in the PressReader digital archive.
The Mail's story was based on a cover story in the Slovenian magazine Suzy, published on 5th August, though the magazine is not named in the lawsuit. The Mail reported Suzy's allegation that models at the agency where Melania Trump worked "principally earned money as elite escorts," though it described the claim as a "seemingly fantastical story" and distanced itself from the magazine: "There is no evidence to back up these startling claims made in Suzy magazine."
The newspaper published a lengthy retraction today: "To the extent that anything in our article was interpreted as stating or suggesting that Mrs Trump worked as an 'escort' or in the 'sex business'... or that either of the modelling agencies referenced in the article were engaged in these businesses, it is hereby retracted, and we regret any such misinterpretation." (The retraction quotes the online headline "Naked photoshoots..." though the print article was headlined "Racy photos...")
01 September 2016
Jules Cheret
As Buhrs explains in his foreword, Cheret's poster designs were central to the Parisian Belle Epoque: "As a lithographer, printer, draughtsman, painter, interior designer and illustrator, he is a pre-eminent figure within the artistic and literary milieu of Paris at the turn of the century."
Cheret is widely regarded as the first true artist of illustrated posters. In his History Of The Poster, Josef Muller-Brockmann writes that Cheret "introduced the decisive turning point in poster design. His work established the beginning of the modern poster." Cheret's prolific output, often depicting colourful, liberated women known as 'Cherettes', was largely responsible for the 'affichomanie' ('poster-mania') coined by Octave Uzanne.
In his essay on Cheret and design, Martijn F Le Coultre quotes a contemporary description of Cheret as "king of the poster". Buhrs sees him as the "father of the modern poster", as does Philip B Meggs in his History Of Graphic Design. The Phaidon Archive Of Graphic Design describes him as "the father of the pictorial poster". In The Art Nouveau Poster, Alain Weill calls him "undeniably the father of the poster". According to Weill's comprehensive The Poster: A Worldwide Survey & History, he is "the father of poster art."
Many of Cheret's posters were included in Les Maitres De L'Affiche, reprinted in English as The Complete "Masters Of The Poster". There are chapters on Cheret in Weill's The Poster and The Art Nouveau Poster, and he is also discussed extensively in Stephen J Eskilson's Graphic Design: A New History.
Halloween
Appropriately enough, they will be showing John Carpenter's classic Halloween (1978) on 19th November. Along with Black Christmas (1974), Halloween provided the prototype for the 'slasher' films that dominated American horror cinema in the 1980s.
The Art Nouveau Poster
The poster as an art form was a product of the Belle Epoque, benefiting from the development of chromolithography and an advantageous French law: "Although still in its earliest infancy, the poster was about to enjoy a golden age... In this it was helped by a specifically French development in the form of a law that came into force on 29 July 1881, allowing posters to be stuck to any object and to any site that was not specifically excluded."
For the next two decades, Paris was gripped by "affichomanie" ('poster-mania', coined by Octave Uzanne). The leading poster designer of the period was Jules Cheret: "Cheret was undeniably the father of the poster and was hailed as such by his contemporaries." (Many of Cheret's posters were included in Les Maitres De L'Affiche, reprinted in English as The Complete "Masters Of The Poster".)
The standard histories of graphic design (Meggs' History Of Graphic Design and Graphic Design: A New History) both discuss posters in their chapters on Art Nouveau graphics. Josef Muller-Brockmann's History Of The Poster includes a chapter on "The illustrative poster" which focuses on the Art Nouveau era. Ghislaine Wood wrote a chapter on Art Nouveau posters and bookbinding, "The Art of Paper", in Paul Greenhalgh's Art Nouveau 1890-1914.
26 August 2016
A–Z of Design and Designers

Design of the 20th Century contains many more entries, though it has not been significantly revised since 1999. The new A–Z of Design and Designers includes coverage of contemporary design, and is so up-to-date that it mentions the death of Zaha Hadid. It also has a much more elegant layout, with large, well-chosen photographs.
The Fiells have written numerous other excellent books on design history, including The Story of Design, Plastic Dreams, Industrial Design A–Z, and Modern Furniture Classics. The Design Encyclopedia (by Mel Byars) is more comprehensive, though The Bloomsbury Encyclopedia of Design (edited by Clive Edwards, in three volumes) is the definitive design reference work.