Bharat Mata (‘mother India’)

India’s Supreme Court today ruled that Bharat Mata (‘mother India’), a 2005 painting by M.F. Husain, is not obscene. The decision upholds a similar verdict by the High Court in Delhi on 8th May. Husain, India’s greatest modern artist, faced dozens of lawsuits after Bharat Mata was exhibited in 2006. In particular, an advertisement promoting the exhibition in the 6th February 2006 issue of India Today, which included an image of Bharat Mata, prompted a campaign against the artist by conservative Hindus. Husain has been living in self-imposed exile since the legal cases were filed.

Bangkok Post Sunday

The Bangkok Post today relaunched its Sunday edition, substantially expanding its pagination. In contrast, today's edition of The Sunday Nation is extremely thin: only eighteen pages in total, with virtually no advertising at all.

The Nation does at least include national news now, which it had dropped following the launch of the Daily Xpress. The Xpress itself is now twenty pages shorter than it used to be (and is seemingly no longer published on Sundays, replaced by The Sunday Nation).

Sukiyaki Western Django

Sukiyaki Western Django was directed by Takashi Miike, the prolific Japanese horror/exploitation filmmaker most famous for the unsettling Audition and the extremely violent gangster film Ichi The Killer. Django, an early 'spaghetti western', provided the inspiration for Sukiyaki Western Django, and indeed Miike's film is technically a Django prequel.

In a prologue with a painted backdrop resembling Tears Of The Black Tiger, we learn about the Genpei War, a conflict between rival Genji and Taira gangs. Then, in an isolated town, the descendants of the rival groups prepare for a showdown, with one side in white and the other in red. I was reminded of the current political situation in Bangkok: two sides and two colours (anti-government, in yellow; pro-government, in red) facing each other in a violent confrontation.

The lead character is a lone cowboy (clearly inspired by Clint Eastwood's character in A Fistful Of Dollars, itself derived from Akira Kurosawa's Yojimbo) who arrives in town, proves he is quick on the draw, then puts an end to the feud between the two gangs by defeating both of them (just as Eastwood's character does). The stoical cowboy's role is not substantial, though, as he mostly bides his time until the final duel. Arguably more central to the story is a silent young boy whose mother and father belonged to different gangs.

Miike has put a Japanese twist on the Italian spaghetti western genre, a genre which was itself partly inspired by Japanese cinema - A Fistful Of Dollars was an unofficial Yojimbo remake. There have been similar attempts from other countries, the closest equivalent to Miike's being the Japanese 'noodle western' Tampopo. From India came the 'curry western' Sholay, and the Spanish film 800 bullets has been called a 'marmitako western'. This year, the South Korean The Good, The Bad, & The Weird was marketed as a 'kimchi western'. There are also 'borsch westerns' from Russia, 'Spätzle westerns' from Germany, 'kartoffel westerns' from Denmark, 'boureka westerns' from Isreal, 'camembert westerns' from France, and 'paella westerns' from Spain.

Pulp Fiction director Quentin Tarantino makes an amusing cameo appearance in the prologue, wearing a poncho in another echo of Clint Eastwood; when we return to his character near the end of the film, however, he has become a ridiculous old man in a wheelchair. Other characters are equally implausible. Neither gang leader is remotely menacing: one rolls his eyes, cowers behind his men, and recites Shakespeare very badly; the other has the weak-looking, lithe physique of Russell Brand. The most absurd character is the sheriff, who becomes severely schizophrenic in an unsuccessful attempt at slapstick comedy.

The film's dialogue is delivered in English, though the actors are largely Japanese, and their thick accents make many of their lines incomprehensible. There is stunning cinematography in several sequences, notably the prologue with its artificial backdrop and a couple of scenes with stylised blue lighting, though the characters and dialogue make it hard to take the film seriously. (The version released in Japan is twenty minutes longer.)

Sticky & Sweet Tour

Madonna's Sticky & Sweet Tour began earlier this month. Although the set list inevitably concentrates on her latest album, Hard Candy, there's also a surprising amount of classic songs (including superlative performances of Into The Groove and Like A Prayer). The show is divided into four themed sections: 'pimp', 'old school', 'gypsy', and 'rave'. Vocally, Madonna sounds great, though her costumes are quite eccentric.

The full set list is: The Sweet Machine, Candy Shop, Beat Goes On, Human Nature, Vogue, Die Another Day, Into The Groove, Heartbeat, Borderline, She's Not Me, Music, Rain, Devil Wouldn't Recognize You, Spanish Lesson, Miles Away, La Isla Bonita, You Must Love Me, Get Stupid, 4 Minutes, Like A Prayer, Ray Of Light, Hung Up, and Give It 2 Me.

This Area Is Under Quarantine

A new documentary by Thai filmmaker Thunska Pansittivorakul, This Area Is Under Quarantine (บริเวณนี้อยู่ภายใต้การกักกัน), was screened at Makhampom Studio, Bangkok, last night. (All of his previous films were shown at a retrospective in April.) Before the premiere of this new feature-length documentary, there were screenings of his recent short films Action! (which premiered at the 5th Bangkok Experimental Film Festival, and is currently showing as part of the 4th Project 6) and Middle-Earth (มัชฌิมโลก; which premiered at the 11th Thai Short Film and Video Festival), and his music video Blinded Spot. Most of the photographs from Thunska’s recent Life Show exhibition were also displayed, though the more explicit ones were missing.

Thunska has always made highly provocative films, and This Area Is Under Quarantine is no exception. Its first half resembles his short films Life Show (เปลือยชีวิต) and Chemistry (ปฏิกิริยา), with two gay men being interviewed about their past relationships. They later have sex with each other, filmed in close-up with a constantly moving camera, recalling Thunska’s short film Sigh (เมืองร้าง).

One of the men mentions that he is Muslim, which unexpectedly veers the discussion towards the notorious incident at Tak Bai in 2004 when seventy-eight Muslim men suffocated while held captive by the Thai army. Video footage of the Tak Bai incident is included, and Thaksin Shinawatra, who was Thailand’s prime minister at the time, is directly criticised in the film (albeit four years after the event).

More contentiously, photographs of Mahmoud Asgari and Ayaz Marhoni, who were hanged in Iran in 2005, are also included, with the suggestion that they were executed because they had consensual sex with each other. In fact, human rights organisations have since concluded that they raped a thirteen-year-old boy, and thus their reputation as gay martyrs is inappropriate.

There were a few technical glitches at last night’s sold-out screening. The film will be shown again at the same venue on 1st September.

Life With My Sister Madonna

Life With My Sister Madonna is an account by Christopher Ciccone of his relationship with Madonna, written by Ciccone with Wendy Leigh. Ciccone briefly recounts their childhood and their early days in New York, challenging the self-mythologising accounts of the period that Madonna has given in interviews. For instance, the story of how she arrived in New York with $35, and a taxi driver dropped her off in Times Square, is - surprise, surprise - not true.

The book's main focus is on his professional relationship with his sister. Over the years, she has employed him as an interior designer and stage director, and he writes at length about his demeaning chores and paltry compensation. It's hard to feel much sympathy though, because he also complains when she doesn't hire him.

He is evidently jealous of the men in her life, and he makes it clear that he can't stand her husband, Guy Ritchie. His personal offence at the wedding speech of Ritchie's best man seems like a massive over-reaction. Also, for some strange reason, he is surprised that Ritchie wants to approve the decor of their home rather than giving Ciccone carte blanche to design it however he likes.

There's nothing really revelatory about Madonna in this book. Yes, she seems selfish and controlling, but we knew that already. Where are the details about Sean Penn tying her to a chair all night?

The Empire Top 500

Empire magazine has launched a survey to find the 500 greatest films of all time. Voting is open until 5th September, and the results will be published at the end of next month.

Flashback '76

The group exhibition Flashback '76 commemorates the 1976 Thammasat University massacre. The exhibition includes Manit Sriwanichpoom's photo series Died On 6th October 1976; Manit soaked autopsy photographs of the victims of the massacre in blood, to reinforce the violence of the event. They were created to express Manit's incredulity when Prime Minister Samak Sundaravej told CNN that only one person died in the massacre. The exhibition also includes Vasan Sitthiket's video Delete Our History, Now! (อำนาจ/การลบทิ้ง), which comments on the state's whitewashing of the 6th October incident.

The 1976 massacre was previously the subject of Manit's Horror In Pink series, shown at From Message To Media. (That series was made in response to Samak being elected governor of Bangkok in 2000 by an electorate that had seemingly forgotten his role as an agitator in the buildup to the massacre.) Flashback '76, at the Pridi Banomyong Institute in Bangkok, opened on 2nd August, and will close on Saturday.

Halliwell's Film Guide 2008

The twenty-third edition of Halliwell's Film Guide, now retitled Halliwell's Film, Video, & DVD Guide 2008, is edited by David Gritten and was published last year. Gritten took over from John Walker, who had edited the Guide since Leslie Halliwell's death in 1989.

Leslie Halliwell was famous for his dislike of modern cinema, refusing to give his maximum four stars to any film made after Bonnie & Clyde. His capsule reviews would damn many films with faint praise, and it's quite fun to look up your favourite films to read the criticisms which accompany even the highest-rated titles. The Seventh Seal, for instance, is a "minor classic", and Annie Hall was successful for "no good reason". Too often, a film's narrative structure is unfairly criticised; for example, Citizen Kane has "gaps in the narrative", Jaws is "slackly narrated", Dr Strangelove has an "untidy narrative", and so on.

In his stint as editor, John Walker rewrote some of the most acerbic reviews and revised many of the star ratings. At the last minute, he requested that his name be removed from this latest edition, hence the sticker bearing David Gritten's name covering Walker's.

Gritten has improved the Guide's layout, with blue text for each film title and a line between each entry. The star ratings are now much more generous than in Halliwell's day - perhaps too generous. The latest edition reviews more than 24,000 films, which is more than most other guides though less than the 27,000 in the current edition of VideoHound's Golden Movie Retriever. VideoHound only includes films available on VHS or DVD, however, so while it does feature DTV titles missing from Halliwell's, it doesn't cover any titles which were released theatrically but not on video. For that reason, Halliwell's is still necessary.

Unspeak

'Unspeak' is a label coined by Steven Poole to describe loaded words which are often used euphemistically in neutral senses. It's also the title of Poole's book on the same topic.

'Surgical strike', for example, is used in war reporting to describe a military attack in which only the specific target is destroyed, with no damage to civilians or surrounding infrastructure. 'Surgical' suggests a fine degree of precision, just as a medical surgeon performs delicate surgical procedures. Furthermore, during medical surgery the patient is anaesthetised, thus 'surgical strike' implies painlessness. Finally, military action is linguistically equated with the removal of disease, thus giving it positive associations. By describing military operations as 'surgical strikes', politicians are therefore communicating a subtle ideological message, which is unthinkingly repeated by journalists who adopt the same terminology in their war reporting.

Poole shows how so much political and military discourse utilises metaphors which have been chosen by spin doctors for their ideological implications, and, more worryingly, how these terms have pervasively entered conventional public discourse. Kenneth Burke describes this process, when our selection of terminology limits our perceptions, as 'terministic screening', and Quentin Skinner refers to 'evaluative-descriptive terms', words which are employed objectively despite their subjective origins.

Diary Of The Dead

Diary Of The Dead is the latest in George A Romero's zombie series. (The previous films are: Night Of The Living Dead, Dawn Of The Dead, Day Of The Dead, and Land Of The Dead. The first two are notable for their social commentaries and for their then-unprecedented levels of on-screen gore.)

Like Cannibal Holocaust and The Blair Witch Project, Diary Of The Dead is a 'mockumentary' comprised of purportedly recovered footage. As in those two earlier films, we are first introduced to the filmmakers and their equipment (taking care to establish the multiple cameras, thus enabling the real filmmaker to justify shot/reverse-shot editing). The same themes - that filming an event makes it more real, and that the camera viewfinder filters reality - are explored in all three films.

Diary Of The Dead's film-within-the-film is titled The Death Of Death. The film's real title, and Romero's name, do not appear until the end credits, though Romero does have a cameo role as a police officer (and there are also cameos by Quentino Tarantino and Wes Craven, as radio reporters).

Funny Games

The Austrian version of Michael Haneke's Funny Games was released in 1997. The film was intended as an endurance test for viewers, and Haneke has called it his only deliberate act of audience provocation. In the film, two articulate, charming, yet sadistic young men torture a bourgeois family. The scenario resembles Kubrick's A Clockwork Orange, and Haneke returned to the theme with the more subtle Cache in 2006.

This year, Haneke remade Funny Games in Hollywood. The only differences are the language (English) and the cast (led by Naomi Watts and Tim Roth). The script has not been changed, and the same ideas are explored: the total emasculation of the husband/father, the sudden disruption of bourgeois complacency, and the breaking of the fourth wall to render the audience complicit in the action.

The soundtrack, camerawork, and editing are practically identical to the original Funny Games, to an even greater degree than Gus van Sant's Psycho remake. To such an extent, in fact, that the exercise becomes redundant - why don't American viewers simply watch the subtitled original version?

Watts and Roth can't quite hide their natural movie-star charismas, in contrast to the utterly unselfconscious performances of the original actors (Susanne Lothar and Ulrich Muhe). Brady Corbet, as Peter, successfully adopts the mannerisms of Frank Giering, who originally played the character. Michael Pitt, playing Paul, is less chilling than Arno Frisch's original interpretation of the same role.

International Film Festival 2008

The 2008 International Film Festival, organised by Chulalongkorn University, Bangkok, opens on 8th August with Four Months, Three Weeks, & Two Days (which premiered in Thailand at the EU Film Festival last year). The Festival runs until 25th August, with free admission to every film.

A History of Advertising

A History of Advertising, by Stephane Pincas and Marc Loiseau, presents a history of advertising from 1842 (the founding of the world’s first advertising agency) to 2006. It was originally published by the ad agency Publicis and titled Born in 1842.

The emphasis is on images, with each page containing several colour reproductions of posters and stills from TV commercials. This is in contrast to Mark Tungate’s Adland, which contains almost no photographs at all. The advertisements included are all American, British, or (occasionally) European, so the scope is not truly global, though there is an impressive bibliography.

The 100 Best Films Of The World

The 100 Best Films Of The World: A Journey Through A Century Of Motion-Picture History, was edited by Manfred Leier. (Leier is not named on the cover or spine, and the introduction is signed simply "The Editor", with Leier identified only on the copyright page.)

The book consists of 100 films, arranged "according to the film director's country of origin". Thus, for example, Psycho (made in Hollywood) is listed in the Europe section, because Alfred Hitchcock was born in England. Oddly, One Flew Over The Cuckoo's Nest appears in the North America list despite Milos Forman being Czech by birth. There are two pages devoted to each of the 100 films, each film represented by plot synopses and glossy stills. The detailed synopses are too spoiler-ridden for those who have not yet seen the films and redundant for those who already have.

North America

• Greed
  
• The General
  
• All Quiet On The Western Front
  
• Gone With The Wind
  
• The Grapes Of Wrath
  
• Citizen Kane
  
• Casablanca
  
• Sunset Boulevard
  
• High Noon
  
• From Here To Eternity
  
• On The Waterfront
  
• Rebel Without A Cause
  
• Some Like It Hot
  
• Ben-Hur: A Tale Of The Christ
  
• Breakfast At Tiffany's
  
• Easy Rider
  
• The Godfather
  
• One Flew Over The Cuckoo's Nest
  
• Star Wars IV: A New Hope
  
• Annie Hall
  
• Saturday Night Fever
  
• ET: The Extra-Terrestrial
  
• Blade Runner
  
• Out Of Africa
  
• Pretty Woman
  
• Pulp Fiction
  
• The Matrix
  
• Lost In Translation
  
• Titanic

Europe

• Belle De Jour
  
• All About My Mother
  
• The Rules Of The Game
  
• Children Of Paradise
  
• The Wages Of Fear
  
• M. Hulot's Holiday
  
• Black Orpheus
  
• Breathless
  
• Last Year At Marienbad
  
• Au Revoir Les Enfants
  
• Amelie
  
• La Strada
  
• La Dolce Vita
  
• Blow-Up
  
• Once Upon A Time In The West
  
• Death In Venice
  
• Last Tango In Paris
  
• Life Is Beautiful
  
• Zorba The Greek
  
• Yol
  
• All Night Long
  
• The Assault
  
• Character
  
• Metropolis
  
• The Blue Angel
  
• M
  
• Ninotchka
  
• The Tin Drum
  
• The Marriage Of Maria Braun
  
• Fitzcarraldo
  
• Wings Of Desire
  
• The Lacemaker
  
• Closely Observed Trains
  
• Kolya
  
• The Shop On Main Street
  
• Mephisto
  
• Time Of The Gypsies
  
• Ashes & Diamonds
  
• Dance Of The Vampires
  
• The Pianist
  
• Names In Marble
  
• Battleship Potemkin
  
• The Cranes Are Flying
  
• Andrei Rublev
  
• Lights In The Dust
  
• Wild Strawberries
  
• Autumn Sonata
  
• As It Is In Heaven
  
• Babette's Feast
  
• Breaking The Waves
  
• City Lights
  
• The Great Dictator
  
• The Third Man
  
• The Bridge On The River Kwai
  
• Psycho
  
• Lawrence Of Arabia
  
• Goldfinger
  
• A Hard Day's Night
  
• Dr Zhivago
  
• A Clockwork Orange
  
• Gandhi

Asia

• The Wind Will Carry Us
  
• Mother India
  
• Monsoon Wedding
  
• Rashomon
  
• Seven Samurai
  
• Raise The Red Lantern
  
• Farewell My Concubine

Australasia

• The Piano
  
• The Lord Of The Rings I-III

The list includes no examples of Neorealism or film noir, and no films by DW Griffith, Martin Scorsese, Howard Hawks, or Yasujiro Ozu. Note that Ben-Hur is the William Wyler remake and Titanic is the James Cameron version. Also, Some Like It Hot is the 1959 comic masterpiece, not the obscure 1939 comedy.

4th Project 6

Project 6, a film and photography exhibition, will be hosted by Gallery VER, Bangkok, next month. The event will include the short film Action! (premiered at the 5th Bangkok Experimental Film Festival) by Thunska Pansittivorakul, whose photographic exhibition, Life Show, is currently on display at VER. The 4th Project 6 will open on 15th August (the day Life Show closes), and will run until 30th August.

Gone Yet Still

An installation by Terence Koh, Gone Yet Still, may result in criminal charges against the Baltic art gallery. Koh's work, a statuette of a tumescent Jesus, was shown earlier this year, and, in a private prosecution, a member of the public has accused the gallery of outraging public decency. Baltic came under fire last year for a Nan Goldin photograph, though the image was eventually cleared of obscenity. In 2006, the student magazine The Insurgent published cartoons of Jesus with an erection.

Tumescent Christs have caused artistic controversies before, including a Belgian sculptor's prosecution for blasphemy in 1988. Danish artist Jens Jorgen Thorsen painted a tumescent Christ on the wall of a railway station in 1984. JAM Montoya's 1997 photograph El Ultimo Deseo depicts Christ with an erection. A series of three paintings (Man Of Sorrows, circa 1530) by Maaten van Heemskerck depict Christ in a similar state, as discussed in Leo Steinberg's book The Sexuality Of Christ In Renaissance Art & In Modern Oblivion.

Life Show

Life Show, an exhibition of photographs by Thunska Pansittivorakul, opened today at Gallery VER in Bangkok, and will run until 15th August. (The same venue hosted a retrospective of Thunska's films earlier this year.) The exhibition includes portraits, behind-the-scenes images, and some 'X'-rated shots. Life Show is also the title of one of Thunska's short films, in which an actor discusses his sex-life. Thunska's photos can also be seen, as a slideshow, in his film Endless Story.

News Of The World

Stanley Kubrick's Boxes

As part of a Kubrick Season on More4 this month, Jon Ronson presented (and directed) Stanley Kubrick's Boxes on 15th July, a True Stories documentary about Kubrick's archives. Ronson examined the boxes (designed to Kubrick's specifications) containing the director's notes, photographs, and props in situ at Childwickbury Manor, near St Albans, before they were transferred to the Stanley Kubrick Archive at the University of the Arts in London. The programme includes a short Lolita screen test featuring Sue Lyon, and footage filmed by Vivian Kubrick on the set of Full Metal Jacket.

Teeth

Teeth, directed by Mitchell Lichtenstein, is a blackly funny horror film about a teenager with a vagina dentata. Once she discovers her 'mutation', she uses it to castrate the various male chauvinists who seem to populate her life. Her brother is a ridiculously over-the-top stereotype, though the other characters are all believable. The central character herself is sympathetic throughout 99% of the film, though her femme fatale smile in the final shot is out of character.

The Art Of Time

Gaysorn, a shopping mall in downtown Bangkok, is hosting an exhibition titled The Art Of Time. The exhibition is designed to promote Gaysorn's range of expensive watches, though of primary interest are works by Pablo Picasso, Claude Monet, Pierre-Auguste Renoir, Henri Matisse, Salvador Dali, and other marquee-name artists.

The centrepiece is a bronze sculpture by Dali, a 3D representation of his melting clock, a motif he first used in his 1931 painting The Persistence Of Memory. The sculpture, which is the only work with a direct link to the exhibition's title, was cast in 1980, in a limited edition of 500. (The over-rated Dali famously signed piles of reproductions, and even blank canvasses, each morning during breakfast, living up to the anagram 'avida dollars' coined by Andre Breton.)

Most of the other works on display are signed prints. The 1963 Picasso linocut, La Dame A La Collerette, for example, was produced in an edition of fifty. The Art Of Time opened yesterday, and will close on 20th July.

Adresseavisen

Adresseavisen, Denmark's oldest newspaper, caused considerable controversy after it published a cartoon of Mohammed last month. The cartoon, by Jan O Henriksen, shows a suicide bomber, with his genitals exposed, wearing a t-shirt proclaiming "I am Mohammed and no-one dares to publish me!".

After the image was published, on 3rd June, the editor and cartoonist attempted to deflect criticism by saying that it depicted merely an Islamic man claiming to act in the name of Mohammed. However, the caricature's t-shirt slogan is unambiguous, and the cartoon is one of the most gratuitously provocative Mohammed caricatures published in the mainstream media.

Another Danish newspaper, Jyllands-Posten, caused international protests after it printed twelve Mohammed cartoons in 2005. This prompted many other European newspapers to publish additional Mohammed caricatures, in solidarity with the Danish cartoonists and in defence of free speech.

Subversion

Subversion, by Duncan Reekie, is the first book to explore not only avant-garde art cinema and filmmaking collectives but the entire history of underground films, from the 1920s onwards. The book is a strange combination of dry theoretical discussion and personal polemic.

Amos Vogel's Film As A Subversive Art, with its frame-enlargements from hundreds of obscure films, remains an essential study of underground cinema. Subversion does not quite live up to its subtitle (The Definitive History Of Underground Cinema), but it does provide an opportunity to consider underground films within their historical contexts.

Decorative Arts

Decorative Arts: Style & Design From Classical To Contemporary is an illustrated guide to glassware, metalware, ceramics, furniture, and textiles. The author, Judith Miller, has written numerous antiques price-guides, though Decorative Arts is intended as an historical introduction.

Like Miller's other guides, Decorative Arts is published by Dorling Kindersley. I'm not particularly a fan of DK, as I explained last year. However, I can't argue with the 3,000 glossy illustrations in Decorative Arts, nor with its wide historical scope (from pre-history to the present day). There are more detailed decorative arts dictionaries and encyclopedias available, though Miller's book provides a fascinating overview of the subject.

Flat Earth News

Flat Earth News, by Nick Davies, paints an unpleasant picture of contemporary journalism. It's subtitled An Award-Winning Reporter Exposes Falsehood, Distortion, & Propaganda In The Global Media.

Davies criticises journalists for their reliance on wire stories and press-releases (what he calls 'churnalism'), and for never letting the facts get in the way of a good story. The Daily Mail, a reactionary UK tabloid, is one of the main targets: Davies criticises the racist scaremongering and distortion in the Mail's immigration coverage.

Newspaper sensationalism and distortion is nothing new, of course. Press baron William Randolph Hearst (the model for Charles Foster Kane in Citizen Kane) once reputedly told a photographer: "You furnish the pictures, I'll furnish the war" (a line which was paraphrased in Kane). Famously, in The Man Who Shot Liberty Valance, a fictional newspaper editor explains: "When the legend becomes fact, print the legend".

Davies was initially inspired by the news media's unquestioning acceptance of government spin regarding Iraqi weapons of mass destruction. As a pretext for war, the UK and US governments both claimed that Saddam Hussain possessed WMDs and even nuclear weapons, warning that he could deploy them against the West at any time. The BBC reported that some of these claims were inserted at the request of UK spin doctors, and after the invasion of Iraq, the WMD threat was exposed as a gross exaggeration. (Alastair Campbell wrote about his involvement with this issue in his diary, published last year; Davies claims that Campbell's criticism of the errors in the BBC's coverage was a smokescreen to cover the errors in the government's dossiers.)

A World History Of Architecture

The second edition of A World History Of Architecture, by Michael Fazio, Marian Moffett, and Lawrence Wodehouse, has been published by Laurence King. (In America, it has been retitled Buildings Across Time: An Introduction To World Architecture.) The book presents a global history of architecture from Stonehenge to the early 21st century. Like Graphic Design: A New History, it's another in the publisher's impressive collection of historical surveys of various artistic fields.

The ultimate authority on architectural history is Banister Fletcher's A History Of Architecture, edited by Dan Cruickshank, currently in its twentieth edition. Fletcher's volume has an almost incredible 4,000 illustrations, while Fazio et al. provide a 'mere' 700. However, Fletcher's text is less accessible, and less affordable.

100 X France

As part of the 4th Month of Photography for this year's La Fete festival, the Queen's Gallery in Bangkok is hosting 100 X France, an exhibition of 100 images from the history of French photography. The exhibition opened yesterday, and runs until 8th July.

The exhibition includes some of the most famous photographs ever taken, and a roll-call of the greatest photographers: Henri Cartier-Bresson, Man Ray, et al. The exhibition's poster features Theophile Feau's famous images of the Eiffel Tower in mid-construction. (Edouard Durandelle took a series of similar images, which were published in 1900.)

The earliest extant photographic image, an 1827 'heliograph' by Joseph Niepce (discovered by photographic historian Helmut Gernsheim) begins the exhibition. There is also an example of Etienne-Jules Marey's Chronophotographie. Photographs by several artists from other mediums are also included, such as a book cover by Marcel Duchamp and a portrait by Agnes Varda.

Italian Film Festival 2008

Bangkok's Lido cinema will host the Italian Film Festival 2008 later this month, from 18th to 25th June. One of the highlights will be Martin Scorsese's documentary My Voyage To Italy (20th and 25th June). Scorsese's documentary (in the style of his earlier A Personal Journey Through American Movies) is a four-hour tribute to Italian cinema, from Cabiria to Federico Fellini. Scorsese's most passionate comments are reserved for Neorealist classics such as Rome: Open City and Bicycle Thieves.

The C Word

The C Word, rather cumbersomely subtitled How We Came To Swear By It, was broadcast by BBC3 in the UK on 30th July 2007. The programme, directed by Pete Woods, was an hour-long investigation into attitudes towards the c-word, making Channel 4's A Brief History Of The F-Word (2000) seem tame by comparison. It was a fascinating programme which managed to touch on all of the major debates surrounding the word.

The presenter, Will Smith, made the class aspect of the word a major focus, which is something I've always avoided because I feel that it's out-dated. Also, he interviewed the increasingly ridiculous Eve Ensler for far too long, presumably because others such as Germaine Greer had declined to appear. (Greer made a ten-minute segment about the c-word for BBC1's Balderdash & Piffle in 2006.) Smith told us that the word's first appearance in a newspaper was in The Independent in the 1980s; this 'fact' has been regularly repeated, though my own research has antedated the c-word's first newspaper appearance by over a decade.

[Full disclosure: I was invited to take part in this programme, but I couldn't fly back to the UK at a suitable time.]

Into Me/Out Of Me

Into Me/Out Of Me was an exhibition conceived by Susan Sontag and curated by Klaus Biesenbach. It brought together iconic works from the past forty years of body art, and was organised into three broad themes: metabolism, reproduction, and violence. Over 130 artists were represented, including Andres Serrano, Carolee Schneemann, Robert Mapplethorpe, Judy Chicago, Hermann Nitsch, and Damien Hirst. The result was an extraordinarily comprehensive retrospective, probably the widest survey of body art thus far.

The exhibition catalogue is arranged alphabetically by artist, rather than according to the three categories of the exhibition itself. It resembles The Artist's Body (from Phaidon's Themes & Movements series), though its images are more explicit and its introduction is more anecdotal.

Forbidden Art 2006

Yuri Samodurov, director of Moscow's Andrei Sakharov Museum, has been charged with inciting religious hatred. The charge relates to the exhibition Forbidden Art 2006, a survey of censored Russian art, including Alexander Kosolapov's This Is My Blood (2001), hosted by Samodurov's museum in 2007. Several of the exhibits are included in the book Blasphemy. The museum also hosted the controversial exhibition Caution: Religion! in 2003.

Indiana Jones IV

The fourth film in the Indiana Jones series, Indiana Jones & The Kingdom Of The Crystal Skull, is similar in tone to the three earlier films, with wit and serial-style adventure in equal measure. Again, it's directed by Steven Spielberg and based on a story by George Lucas.

Unfortunately, these days Lucas can't resist CGI. (His Star Wars prequels were almost entirely computer-generated.) In interviews, Spielberg stresses how traditional the action sequences and special effects are, in keeping with those of the earlier Indiana Jones films (and Spielberg is known for his love of analogue film technology), yet there are still too many CGI elements here. The CG aliens in the finale are excusable, but rendering monkeys, insects, and waterfalls with CGI is just lazy.

As the rather clunky title suggests, the plot is a little convoluted. It's something about aliens from another dimension bringing civilisation to the ancient Mayans, though it results in exposition overkill. After all that exposition, only the most cursory of explanations is given for the incomprehensible events at the end of the film. Anyway, shouldn't Spielberg be done with flying saucers by now? (The film's MacGuffin object is inspired by quartz skulls which, while rumoured to be pre-Columbian artefacts with paranormal powers, are more likely to be 300-year-old fakes.)

The film is set in 1957, so the bad guys this time are Communist Russians. (Since the end of the Cold War, Russians have been replaced as Hollywood movie antagonists by Europeans and Arabs.) The lead villain, played by Cate Blanchette, never poses a real threat; thus, while the chase sequences are exciting, they aren't especially suspenseful, because Blanchette is not particularly scary. The 1950s setting also allows for comments on US domestic nuclear testing (in an eerily realistic mock-suburban test site) and paranoid anti-Commie witch-hunts, though these themes are dropped pretty quickly.

Harrison Ford is on form as Indy, and it's possible to suspend your disbelief that a man his age can still be an action hero. This time around, Ford is joined by Shia LaBeouf, who makes his entrance on a motorcycle in an homage to Marlon Brando's character in The Wild One. In one of Hollywood's least surprising plot twists, LaBeouf's character is later revealed to be Indy's son.

In the first sequence, there's a glimpse of the Ark of the Covenant, a subtle nod to the first (and best) Indiana Jones film, Raiders Of The Lost Ark. But how many of the new film's audience-members will get the reference?

Maxim Goes To The Movies

This month's Maxim magazine is a special Maxim Goes To The Movies issue, and includes a list titled The 300 Movies You Must See Before You Die!, divided into genres and other (occasionally odd) categories. (Musicals have been deliberately excluded.)

There are actually slightly more than 300 films included, because original films and their sequels are counted as single entries. The Lord Of The Rings I, The Warriors, Fight Club, A History Of Violence, Star Wars V, and Terminator II all appear twice, each in two different categories.

Comedy

• The Big Lebowski
  
• Anchorman: The Legend Of Ron Burgundy
  
• Kingpin
  
• Monty Python & The Holy Grail
  
• This Is Spinal Tap
  
• Borat: Cultural Learnings Of America For Make Benefit Glorious Nation Of Kazakhstan
  
• Airplane!
  
• Animal House
  
• Austin Powers: International Man Of Mystery
  
• American Pie
  
• Bachelor Party
  
• Bananas
  
• Beverly Hills Cop
  
• Blazing Saddles
  
• Caddyshack
  
• The Cannonball Run
  
• Clerks
  
• Dazed & Confused
  
• Duck Soup
  
• Dumb & Dumber
  
• Election
  
• The 40-Year-Old Virgin
  
• Ghostbusters
  
• Groundhog Day
  
• Happy Gilmore
  
• Harold & Kumar Go To White Castle
  
• It's A Mad, Mad, Mad, Mad World
  
• The Jerk
  
• Modern Times
  
• The Nutty Professor
  
• Office Space
  
• Old School
  
• The Pink Panther Strikes Again
  
• The Princess Bride
  
• Raising Arizona
  
• Sixteen Candles
  
• Some Like It Hot
  
• Trading Places
  
• Vacation
  
• Wedding Crashers
  
• Wet Hot American Summer
  
• Willy Wonka & The Chocolate Factory
  
• Young Frankenstein

The Master Class

• Breathless
  
• Citizen Kane
  
• La Dolce Vita
  
• Seven Samurai
  
• The 400 Blows
  
• The Seventh Seal
  
• Un Chien Andalou

War

• The Deer Hunter
  
• The Bridge On The River Kwai
  
• Dr Strangelove
  
• Apocalypse Now
  
• Black Hawk Down
  
• The Dirty Dozen
  
• Gallipoli
  
• The Great Escape
  
• M*A*S*H
  
• Platoon
  
• Saving Private Ryan

So Bad They're Good

• Glen Or Glenda?
  
• Showgirls
  
• Airport 1975
  
• Barbarella
  
• Battlefield Earth
  
• Beyond The Valley Of The Dolls
  
• Death Race 2000
  
• Phantom Of The Paradise
  
• Reefer Madness
  
• Sgt Pepper's Lonely Hearts Club Band
  
• The Toxic Avenger

Sequels That Are Better Than The Original

• Bride Of Frankenstein
  
• Evil Dead II
  
• Star Trek II: The Wrath Of Khan
  
• Superman II
  
• Terminator II: Judgment Day
  
• Star Wars V: The Empire Strikes Back

Rebels

• Cool Hand Luke
  
• Taxi Driver
  
• Sid & Nancy
  
• Easy Rider
  
• Billy Jack
  
• Dirty Harry
  
• Dirty Mary Crazy Larry
  
• Ferris Bueller's Day Off
  
• The Graduate
  
• A History Of Violence
  
• The Hustler
  
• The King Of Comedy
  
• Network
  
• One Flew Over The Cuckoo's Nest
  
• Raging Bull
  
• Risky Business
  
• Smokey & The Bandit
  
• Three Days Of The Condor
  
• Trainspotting

Classics

• Lawrence Of Arabia
  
• Kind Hearts & Coronets
  
• The Adventures Of Robin Hood
  
• Ben-Hur: A Tale Of The Christ
  
• Casablanca
  
• Double Indemnity
  
• Metropolis
  
• The Night Of The Hunter
  
• On The Waterfront
  
• The Third Man
  
• Touch Of Evil
  
• Vertigo
  
• White Heat
  
• The Wizard Of Oz

Sci-Fi/Fantasy

• Starship Troopers
  
• 2001: A Space Odyssey
  
• Star Wars V: The Empire Strikes Back
  
• Alien I-II
  
• Back To The Future
  
• Blade Runner
  
• Children Of Men
  
• Close Encounters Of The Third Kind
  
• ET: The Extra-Terrestrial
  
• King Kong
  
• Planet Of The Apes
  
• Star Wars IV: A New Hope
  
• Terminator I-II

Horror

• The Texas Chainsaw Massacre
  
• Night Of The Living Dead
  
• Dawn Of The Dead
  
• Carrie
  
• The Exorcist
  
• The Fly
  
• Halloween
  
• Jaws
  
• A Nightmare On Elm Street
  
• Psycho
  
• Rosemary's Baby
  
• The Shining
  
• 28 Days Later

Non-Boring Documentaries

• Brother's Keeper
  
• Don't Look Back
  
• Hoop Dreams
  
• Pumping Iron
  
• Richard Pryor: Live In Concert
  
• When We Were Kings

Conspicuously Gay Straight Movies (Beyond Top Gun)

• 300
  
• Fight Club
  
• Spartacus
  
• The Bear
  
• The Lord Of The Rings I: The Fellowship Of The Ring
  
• The Warriors
  
• X-Men

Westerns

• The Good, The Bad, & The Ugly
  
• The Searchers
  
• Jeremiah Johnson
  
• Butch Cassidy & The Sundance Kid
  
• High Noon
  
• High Plains Drifter
  
• Tombstone
  
• True Grit
  
• Unforgiven
  
• The Wild Bunch

Buddy Movies

• The Last Detail
  
• Top Gun
  
• Superbad
  
• Deliverance
  
• American Graffiti
  
• The Blues Brothers
  
• Breaking Away
  
• Glengarry Glen Ross
  
• The Goonies
  
• Lethal Weapon
  
• The Right Stuff
  
• Saturday Night Fever
  
• The Shawshank Redemption
  
• Stand By Me
  
• Stripes
  
• Swingers
  
• The Warriors

Conspicuously Gay [Patrick] Swayze Movies

• Next Of Kin
  
• Red Dawn
  
• Road House
  
• The Outsiders
  
• Youngblood

Action

• The Matrix
  
• Rocky I-IV
  
• The Road Warrior
  
• Batman
  
• Batman Begins
  
• Battle Royale
  
• The Bourne Identity/Supremacy/Ultimatum
  
• Braveheart
  
• Clash Of The Titans
  
• Die Hard
  
• Enter The Dragon
  
• Face/Off
  
• First Blood
  
• 48 Hours
  
• Gladiator
  
• The Incredibles
  
• Kill Bill I-II
  
• The Lord Of The Rings I-III
  
• Predator
  
• Raiders Of The Lost Ark
  
• Speed
  
• Spider-Man

Non-Gratuitous Nudity!

• Wild Things
  
• Fast Times At Ridgemont High
  
• Carnal Knowledge
  
• Angel Heart
  
• Body Heat
  
• Boogie Nights
  
• Coffy
  
• Jackass: The Movie
  
• McCabe & Mrs Miller
  
• Mulholland Drive
  
• Poison Ivy: The New Seduction
  
• Revenge Of The Nerds
  
• Ten

Essential James Bond Movies

• Casino Royale
  
• Goldfinger
  
• The Spy Who Loved Me
  
• Live & Let Die
  
• You Only Live Twice

Arthouse

• City Of God
  
• A Clockwork Orange
  
• Annie Hall
  
• Withnail & I
  
• Midnight Cowboy
  
• Badlands
  
• Bicycle Thieves
  
• The Conversation
  
• Do The Right Thing
  
• The Elephant Man
  
• The Last Picture Show
  
• Repo Man
  
• Rushmore
  
• Short Cuts
  
• There Will Be Blood

Mindbenders

• Akira
  
• The Rocky Horror Picture Show
  
• Beetlejuice
  
• Blue Velvet
  
• Brazil
  
• Donnie Darko
  
• Edward Scissorhands
  
• Eternal Sunshine Of The Spotless Mind
  
• Fight Club
  
• Memento
  
• Pink Floyd: The Wall
  
• The Manchurian Candidate

Best Movies With Puppets

• Being John Malkovich
  
• Superstar: The Karen Carpenter Story
  
• Team America: World Police
  
• The Dark Crystal
  
• The Muppet Movie
  
• Weekend At Bernie's

Cops

• To Live & Die In LA
  
• Bullitt
  
• Hard-Boiled
  
• Bad Lieutenant
  
• Chinatown
  
• The Departed
  
• Donnie Brasco
  
• Fargo
  
• The French Connection
  
• RoboCop
  
• Seven
  
• Shaft
  
• The Silence Of The Lambs
  
• The Untouchables

Criminals

• The Godfather I-II
  
• No Country For Old Men
  
• Bonnie & Clyde
  
• Reservoir Dogs
  
• Atlantic City
  
• Bad Boys
  
• Bloody Mamma
  
• The Boys From Brazil
  
• Boyz 'N The Hood
  
• Carlito's Way
  
• Casino
  
• Crimes & Misdemeanors
  
• Dog Day Afternoon
  
• The Getaway
  
• Get Carter
  
• GoodFellas
  
• Heat
  
• A History Of Violence
  
• In Cold Blood
  
• The Long Good Friday
  
• Mean Streets
  
• Midnight Express
  
• Natural Born Killers
  
• Pulp Fiction
  
• River's Edge
  
• Scarface
  
• Sexy Beast
  
• Sin City
  
• Super Fly
  
• True Romance

Movies You Need To See Once But Are
So Traumatic You Never Need To See Again

• Leaving Las Vegas
  
• Million Dollar Baby
  
• Requiem For A Dream
  
• Schindler's List
  
• United 93

Some Like It Hot is the 1959 comic masterpiece, not the obscure 1939 comedy. Casino Royale is [presumably] the recent version rather than the 1960s spoof, Ben-Hur is the William Wyler version, and Scarface is the Brian de Palma version instead of the Howard Hawks original, but otherwise the list is refreshingly free of remakes. Note that Carrie is de Palma's 1976 horror film, not William Wyler's 1952 romantic drama.

Adaptation

Adaptation was directed by Spike Jonze, and stars Nicolas Cage and Meryl Streep. It was written by Charlie Kaufman, one of the most fascinating contemporary screenwriters (who also wrote Being John Malkovich and Eternal Sunshine Of The Spotless Mind).

Cage plays a character called Charlie Kaufman, a fictionalised version of Kaufman himself. [Subsequent references will be to the character, not the real writer.] Cage also plays Charlie's brother, Donald, who is credited as co-writer of the film, though Donald Kaufman is a purely fictitious character. Charlie is hired to adapt a book, The Orchid Thief, into a screenplay; he hopes to produce a profound, true-to-life script, though he spends months on frustrated false starts. Donald, meanwhile, writes a formulaic thriller screenplay which is immediately optioned. Unable to create a compelling narrative from The Orchid Thief, Charlie decides to follow the book's author, Susan Orlean; surprisingly, her secret (and totally fictionalised) double-life is a far more fascinating screenplay subject, providing the character arcs and suspense that Charlie had dismissed as unrealistic.

Adaptation is incredibly self-referential, recalling films about the frustrations of filmmaking such as 8½ and Stardust Memories, and the novel Tristram Shandy (and thus the film A Cock & Bull Story). The film is not only about Charlie's Orchid Thief adaptation, it is his adaptation, as all of his ideas have been incorporated. His voice-over in which he runs through several potential film openings echoes Woody Allen's opening monologue in Manhattan.

All About Eve

All About Eve, starring Anne Baxter and Bette Davis, was directed by Joseph L Mankiewicz. Baxter plays Eve Harrington, a seemingly devoted fan of the actress Margo Channing (played by Davis, who smokes throughout the entire film). Margo takes Eve under her wing, initially taken in by Eve's faux humility and innocence. It later transpires that Eve is calculating and ambitious, exploiting Margo's insecurities about impending middle-age.

Baxter has the title role, but the film is largely a study of Davis's Margo, who is far more realistic than Eve. Davis is sensational: alternately cynical, compassionate, warm, and bitter. By contrast, Baxter simply goes from too-good-to-be-true to scheming bitch. The greatest scene, showcasing Davis's impressively unglamorous performance, is the party sequence, in which a drunk Margo warns her guests: "Fasten your seatbelts; it's going to be a bumpy night!". The party also features a scene-stealing cameo from Marilyn Monroe, in the same year as her bit-part in The Asphalt Jungle.

The two leading men, especially Hugh Marlowe, are rather bland, though George Sanders, as an oily gossip columnist, is more interesting. The ending (in which the cycle begins again, with a young girl ready to do to Eve what Eve did to Margo) is disappointing, considering the otherwise sophisticated, witty script.

While the film is set on Broadway, the script includes regular industry in-jokes and barbs about Hollywood. Rather than a backstage theatre story, it might be more accurate to call it a behind-the-scenes film, and it's one of the very best of its kind.

The Top 100 Films Of All Time

On Saturday, The Times published a list of the Top 100 Films Of All Time, chosen by a selection of the newspaper's film critics led by James Christopher. The list is deliberately revisionist and provocative, hence its intentional omission of established classics like Citizen Kane. (Kane as the world's greatest film may be a cliche, but it's still an essential film by any standard.) There are actually 102 films on the list, as the entry for Pather Panchali also includes two subsequent films about the Apu character.

The Top 100 Films are as follows:

1. Casablanca
2. There Will Be Blood
3. ET: The Extra-Terrestrial
4. Chinatown
5. The Shining
6. Vertigo
7. Kes
8. Sunset Boulevard
9. Eternal Sunshine Of The Spotless Mind
10. The Godfather
11. The Sound Of Music
12. Alien
13. 2001: A Space Odyssey
14. The Jungle Book
15. Apocalypse Now
16. Metropolis
17. Annie Hall
18. Don't Look Now
19. The Exorcist
20. The Wizard Of Oz
21. The Towering Inferno
22. The Breakfast Club
23. Some Like It Hot
24. The Philadelphia Story
25. Picnic At Hanging Rock
26. GoodFellas
27. A Clockwork Orange
28. Gone With The Wind
29. Duck Soup
30. Rebel Without A Cause
31. His Girl Friday
32. Star Wars V: The Empire Strikes Back
33. One Flew Over The Cuckoo's Nest
34. The Man Who Shot Liberty Valance
35. Withnail & I
36. Jaws
37. Beau Travail
38. Rear Window
39. The Graduate
40. Monty Python's Life Of Brian
41. A Star Is Born
42. Blue Velvet
43. Terminator II: Judgment Day
44. A Streetcar Named Desire
45. The Life & Death Of Colonel Blimp
46. All About Eve
47. Fargo
48. Shoah
49. High Society
50. Blade Runner
51. Cabaret
52. La Dolce Vita
53. Mildred Pierce
54. Roman Holiday
55. The Matrix
56. Whisky Galore
57. Raging Bull
58. Dr Zhivago
59. Pulp Fiction
60. The Crying Game
61. Rashomon
62. Taxi Driver
63. On The Waterfront
64. Do The Right Thing
65. The Thin Blue Line
66. Toy Story
67. The Piano
68. The Maltese Falcon
69. Cache
70. The Conversation
71. This Is Spinal Tap
72. Days Of Heaven
73. Great Expectations
74. Rosemary's Baby
75. The Good, The Bad, & The Ugly
76. From Here To Eternity
77. Pather Panchali/Aparajito/Apur Sansar
78. The Lady Eve
79. Deliverance
80. Tokyo Story
81. North By Northwest
82. Chungking Express
83. Spartacus
84. Festen
85. Dog Day Afternoon
86. Nosferatu
87. The Silence Of The Lambs
88. Wild Strawberries
89. Touch Of Evil
90. Trainspotting
91. Short Cuts
92. Breathless
93. Cool Hand Luke
94. La Haine
95. Grand Hotel
96. Lost In Translation
97. Point Break
98. My Fair Lady
99. La Belle & La Bete
100. Jurassic Park

Every film on this list is important in some way, but there should be more silents (there are only two) and more foreign-language films (there's nothing from Italy pre-La Dolce Vita, and nothing by Jean Renoir or Sergei Eisenstein). There Will Be Blood may be a modern classic, but is it really the second-greatest film ever made? (Note that The Maltese Falcon is the John Huston version, which is actually a remake of an earlier Roy Del Ruth film. Also, Some Like It Hot is the 1959 comic masterpiece, not the obscure 1939 comedy.)

Blood For Dracula

Blood For Dracula was filmed by Paul Morrissey back-to-back with his Flesh For Frankenstein. (Antonio Margheriti is sometimes cited as a co-director with Morrissey, though the extent of his contribution is unclear.)

The two films are very similar: both star Udo Kier and a cast of other non-native English speakers concentrating on their lines so much that they forget to emote, both feature the incongruous Joe Dallesandro, and both are Gothic melodramas which culminate in campy violence. In both films, Dallesandro appears out of place not only because of his beefcake physique and American accent but also due to the attitudes of his characters. In Blood For Dracula, in contrast to the aristocratic lineage of every other main character, he plays a worker who hopes for a Communist revolution, adding the theme of class conflict to the traditional Dracula story.

Blood For Dracula is notable for the cameo roles played by two acclaimed directors. Roman Polanski (director of Chinatown) is great as a labourer playing cards in a tavern, though Vittorio de Sica (director of Bicycle Thieves) is almost incomprehensible as a down-on-his-luck aristocrat.

Hard Candy

Madonna's new album, Hard Candy, is out now. The cover photo and font look terrible, and it's certainly not one of Madonna's best albums.

The full track-listing is: Candy Shop, Four Minutes, Give It 2 Me, Heartbeat, Miles Away, She's Not Me, Incredible, Beat Goes On, Dance 2night, Spanish Lessons, Devil Wouldn't Recognize You, and Voices. An additional track, Ring My Bell, was included on the Japanese edition.

Inside Out, Outside In

Gallery VER, Bangkok, hosted a short season of indie films by Thunska Pansittivorakul and Panu Aree from 18th to 20th April. The event, Inside Out, Outside In, featured a complete retrospective of both directors.

Panu Aree's first film, Once Upon A Time, is a compilation of home movie footage of his family at an amusement park, and was edited by Apichatpong Weerasethakul. His other films are: Destiny, Postcards From Kaosan Road, In Between, The Magic Water, Stills, Parallel, The Lost Highway, and Silent Lights.

Thunska's excellent Middle-Earth originally screened at the 11th Thai Short Film & Video Festival, and his recent films Soak and Action! were screened at the 5th Bangkok Experimental Film Festival.

Thunska's early short films are:

Private Life
(Thunska's first film: he drives to the beach with his boyfriend, but they never make it and can't find the time or place to be alone with each other)

Lovesickness (aka Just A Life II)
(a man in his studio apartment, with only a goldfish for company; he treats it obsessively as a partner: feeding it rice, washing it with soap, and ejaculating into its water)

...For Shiw Ping 28/12/97
(faces filmed in negative, and footage of a rainstorm: Thunska's memories of his relationship with Ping in 1997)

Sigh
(two men have sex, with the images filtered by double-exposures, rapid editing, and low resolution)

Chemistry
(a man narrates his formative sexual experiences in voice-over)

Life Show
(a young actor is interviewed about his illicit sex-life, with nudity and smoking censored in the style of Thai TV)

After Shock
(a man masturbating in a boat; made for the Ministry of Culture in response to the 2004 tsunami)

Unseen Bangkok
(a split-screen film: a nude hustler discusses his clients, and a covert recording of a man taking a shower)

Endless Story
(a slideshow of Thunska's personal and graphic snapshots)

Vous Vous Souviens De Moi?
(a short story about a robot who cannot feel love, narrated over images of a nude man in an apartment)

Out Of Control
(a group of boys playing on a beach)

You Are Where I Belong To
(Thunska filming people he meets in Japan, as he tries to forget his ex-boyfriend)

Thunska's feature-length documentaries Voodoo Girls and Happy Berry (and the short sequel Happy Berry: Oops I Did It Again; all featuring frank discussions between groups of Thai youngsters), and his music video Blinded Spot (for Soundlanding) were also screened.