07 July 2025

RE:VERB —
10 Classic Films That Linger


RE:VERB

Bangkok’s House Samyan cinema has unveiled the next lineup for its ongoing House Classics season. The theme for the remainder of this year is RE:VERB — 10 Classic Films That Linger, with highlights including Sunset Boulevard in August, Crouching Tiger, Hidden Dragon (臥虎藏龍) in September, and One Flew over the Cuckoo’s Nest in October.

05 July 2025

Affinities


Affinities

The group exhibition Affinities at Nova Contemporary in Bangkok closes today. The exhibition, which opened on 26th April, features twenty-eight artists, though the clear highlight is Araya Rasdjarmrearnsook’s video The Treachery of the Moon.

Araya filmed herself sitting on a bench with her pet dogs, watching a lakorn (soap opera) on TV. Just past the half-way point in the video, news footage of various episodes of Thai political violence — including the 2010 crackdown on the red-shirts, and the 2004 Tak Bai tragedy — are projected onto the artist and the TV screen behind her.

The Treachery of the Moon

The cycle of political violence in Thailand is as long-running and as repetitive as a soap opera, a point also made in Sanchai Chotirosseranee’s short film The Love Culprit. Stills from The Treachery of the Moon were first published in the Storytellers of the Town exhibition catalogue.

04 July 2025

Chiang Mai Film Festival 2025
Spirit of Local


Chiang Mai Film Festival 2025

The Chiang Mai Film Festival 2025 (เทศกาลหนังแห่งเมืองเชียงใหม่ 2568) will take place from 9th to 13th July at the Chiang Mai Cultural Centre. Exactly 100 short films have been selected, and highlights include Warat Bureephakdee’s Crazy Soft Power Love, Patipat Oakkharhaphunrat’s Black Hole, and Vichart Somkaew’s The Poem of the River (บทกวีแห่งสายน้ำ). This year’s theme is Spirit of Local (จิตวิญญาณแห่งท้องถิ่น).

Crazy Soft Power Love is a satire on the government’s soft power strategy, featuring a Songkran water fight that escalates into a brawl. In the surreal, black-and-white Black Hole, a young son discovers that his father, a corrupt military officer, has sold citizens’ digital data for personal gain. Both films include archive footage of the 6th October 1976 Thammasat University massacre.

The Poem of the River opens with a caption describing “a Royal Development Project, costing 100 million baht” to dredge the water from the Lai Phan canal in Phatthalung. The film juxtaposes tranquil images of the canal and its verdant, fertile banks — including some beautiful drone photography — with footage of the dredging process.

Crazy Soft Power Love
Black Hole
The Poem of the River

Crazy Soft Power Love and Black Hole were both previously shown at the fourth Amazing Stoner Movie Fest (มหัศจรรย์หนังผี ครั้งที่ 4). All three films were included in the Short Film Marathon 28 (หนังสั้นมาราธอน 28), and Black Hole was screened at The 27th Short Film and Video Festival (เทศกาลภาพยนตร์สั้น ครั้งที่ 27).

Crazy Soft Power Love has been screened at Can’t Stop Won’t Stop (ไปให้สุด หยุดไม่อยู่), White Love and White, and เทศกาลถนนศิลปะ ครั้งที่ 22 (‘the 22nd street art festival’). It was first shown at Wildtype 2024.

The Poem of the River has also been shown at the Isan Creative Festival 2025 (เทศกาลอีสานสร้างสรรค์). It had its Thai premiere as part of a mini retrospective of the director’s recent work, Vichart Movie Collection.

03 July 2025

Donald Trump v. CBS:
“The settlement does not include a statement of apology...”


60 Minutes

Paramount, the parent company of CBS News, has reached an out-of-court settlement with Donald Trump, and will pay $16 million to a charity of his choice. The settlement was agreed yesterday, and Paramount noted that it did not include an admission of liability: “The settlement does not include a statement of apology or regret.” Trump sued CBS in 2024 — shortly before he won that year’s US presidential election — following an interview with former vice president Kamala Harris on the flagship 60 Minutes programme.

Trump had been seeking $20 billion in damages. The amount was completely unrealistic, but the entire case was equally dubious: his complaint was simply that CBS showed different portions of one of Harris’s answers in two different broadcasts. It’s common practice for TV networks to edit extended interviews for reasons of timing, using different clips and soundbites for various platforms or shows, yet Paramount has decided not to fight the case in court. It’s likely that the company wanted to avoid any rancour while the Trump administration is assessing its proposed merger with Skydance.

Harris was interviewed by CBS News correspondent Bill Whitaker, and clips from the interview were aired on Face the Nation on 5th October 2024. A longer version of the interview was broadcast on 60 Minutes on the following day. Harris was asked about Israeli Prime Minister Benjamin Netanyahu, and the lawsuit notes that “Kamala replies to Whitaker with her typical word salad” in the Face the Nation clip, while she “appears to reply to Whitaker with a completely different, more succinct answer” on 60 Minutes.

The Face the Nation clip shows Harris answering the question by saying: “Well, Bill, the work that we have done has resulted in a number of movements in that region by Israel that were very much prompted by or a result of many things, including our advocacy for what needs to happen in the region.” In the 60 Minutes segment, her answer is: “We are not going to stop pursuing what is necessary for the United States to be clear about where we stand on the need for this war to end.”

The lawsuit argued that the 60 Minutes interview was edited to make Harris appear more coherent. With his characteristic hyperbole, at a rally on 23rd October 2024 Trump said: “I think it’s the biggest scandal in broadcasting history.” CBS released a full transcript of the interview — something that Trump’s lawsuit had called for — which revealed that the Face the Nation clip was the first half of her answer to the question, and the 60 Minutes version was the second half of her answer to the same question.

Paramount’s settlement is another example of an American media company avoiding antagonising Trump in his second term. Similarly, ABC News settled a Trump defamation lawsuit in December last year, despite having a strong legal case.

01 July 2025

Paetongtarn Shinawatra:
“If you ask me whether I’m worried, I am...”


Democracy Monument

Thailand’s Constitutional Court has voted unanimously to accept a petition by thirty-six senators that accuses Prime Minister Paetongtarn Shinawatra of breaching ethical standards. The court also voted, by a 7–2 majority, to suspend Paetongtarn from office during its investigation. The petition was provoked by a leaked recording of Paetongtarn’s phone call to former Cambodian PM Hun Sen, in which the Thai leader seemed to side with Cambodia against her own military.

At a press conference yesterday, before the court voted to accept the petition against her, Paetongtarn said: “If you ask me whether I’m worried, I am.” She has good reason to be, as less than a year ago another group of senators successfully petitioned the Constitutional Court to dismiss her predecessor, Srettha Thavisin. Paetongtarn’s aunt Yingluck was also dismissed by the Constitutional Court, as were Samak Sundaravej and Somchai Wongsawat.

Apart from their run-ins with the court, there’s another connection between Paetongtarn, Srettha, Yingluck, Samak, and Somchai: they were all chosen as PM by Thaksin Shinawatra, who was barred from politics by the Constitutional Court in 2007. In fact, today’s announcement came the day after Thaksin attended the Criminal Court for a pre-trial hearing related to his lèse-majesté prosecution, so Thaksin and his daughter Paetongtarn now both have active legal cases against them. (Also, the Supreme Court is holding witness hearings while it considers the legality of Thaksin’s extended stay in hospital in 2023, when he avoided serving a jail sentence.)

In Thai politics over the last two decades, the same cycle has played out several times:

1. A prime minister makes an error of judgement.
2. This triggers street protests in Bangkok.
3. The protests escalate, disrupting an election.
4. This leads to political stalemate.
5. This establishes the conditions for a coup.
6. The military overthrows the government.

This process happened in 2006, when Thaksin sold his stake in Shin Corp., sparking the yellow-shirt protests that resulted in a coup. It was repeated in 2014, when protests against Yingluck’s political amnesty policy provoked another coup.

There are already signs that the cycle is beginning again, and anti-Shinawatra protest leaders are preparing to follow the same playbook. The Hun Sen phone call prompted a rally of more than 20,000 nationalist protesters at Victory Monument on 28th June, calling for Paetongtarn’s removal from office, and — if the past is any indicator — they’re likely to achieve their goal.

LeMan


LeMan

Six members of staff working for the satirical Turkish magazine LeMan were detained by police in Istanbul yesterday, after a cartoon led to protests outside their offices. They are accused of violating article 216 of Turkey’s penal code, which covers insults against religion. Images of the cartoon were shared on social media, and a riot broke out; police fired rubber bullets and tear gas at around 300 demonstrators.

LeMan’s current issue (no. 1699), published on 26th July, includes a cartoon showing two men — one Muslim, the other Jewish — with angel’s wings. The men appear to represent civilian casualties on both sides of the Israel–Gaza war, and greet each other as bombs rain down around them. The Muslim character introduces himself as Muhammed, and the Jewish figure says his name is Musa. These are the Arabic versions of Mohammed and Moses — the most revered prophets in Islam and Judaism, respectively — though they are also common Arabic given names.

Islam forbids visual depictions of its prophets, though LeMan’s editor Tuncay Akgün told the AFP news agency: “This cartoon is not a caricature of the Prophet Mohammed... the name of a Muslim who was killed in the bombardments of Israel is fictionalised as Mohammed. More than 200 million people in the Islamic world are named Mohammed.”

Censorship in Turkey


LeMan was previously censored in 2016, when an issue was banned due to its cover illustration. In 2022, a Turkish singer was also charged with insulting religion, as was a Penguen cartoonist in 2011. Two cartoonists were charged with defamation after caricaturing former president Abdullah Gül in 2008.

Turkish President Recep Tayyip Erdoğan has a long history of filing criminal charges against cartoonists and journalists, most recently in 2022. He has filed defamation charges against the newspaper Cumhuriyet (in 2004 and 2014), and the magazines Penguen (in 2014) and Nokta (in 2015). In 2006, he sued the artist Michael Dickinson over the collages Good Boy and Best in Show. In 2020, he filed charges against the French magazine Charlie Hebdo.

In 2016, Erdoğan sued a German comedian who recited a poem mocking him. The poem was read out in solidarity in the German parliament, and The Spectator launched an anti-Erdoğan poetry competition that was won by Boris Johnson. Ironically, Erdoğan himself was imprisoned in 1999 for reciting a poem: in a 1997 speech, he had quoted lines from a poem by Ziya Gökalp — “The mosques are our barracks, the domes our helmets, the minarets our bayonets, and the believers our soldiers” — and was sentenced to ten months in jail as a result.

Mohammed Cartoons


A Danish newspaper caused worldwide controversy in 2005 when it published a dozen caricatures of Mohammed. In response, many liberal newspapers and magazines in other countries printed their own Mohammed cartoons in solidarity. (The twelve Danish cartoons were reprinted by Charlie Hebdo in 2020, and Cherian George’s book Red Lines covers the Mohammed cartoon debate in considerable detail.)

Mohammed cartoons have been censored in Bangladesh, India, and Palestine. In France, a dozen staff at Charlie Hebdo were killed by terrorists in 2015, and the magazine’s offices were firebombed in 2011, after it published a series of offensive Mohammed cartoons, beginning in 2006. Barely a week after the 2015 terrorist attack, Charlie Hebdo published yet another front-page Mohammed cartoon.

29 June 2025

From Oberhausen Manifesto to New German Cinema


From Oberhausen Manifesto to New German Cinema

In 1962, a group of young German film directors signed a manifesto at Oberhausen calling for a revival of the country’s cinema, and a shift away from the nostalgic, escapist German films of the 1950s. The group released their first feature films in 1966, most notably Alexander Kluger’s Yesterday Girl (Abschied von gestern). By the early 1970s, Wim Wenders, Werner Herzog, and Rainer Werner Fassbinder were leading a German new wave (das neue Kino) that lasted until Fassbinder’s death in 1982.

Yesterday Girl will be shown at Khontemporary in Khon Kaen this afternoon, alongside Herzog’s epic Aguirre, the Wrath of God (Aguirre, der Zorn Gottes), as part of a programme titled From Oberhausen Manifesto to New German Cinema (จาก Oberhausen Manifesto สู่ New German Cinema). The event is organised by Doc Club.

The From Oberhausen Manifesto to New German Cinema programme was first shown at Bangkok Art and Culture Centre earlier this year. Aguirre, the Wrath of God was previously shown in 2020 at Bangkok Screening Room. The Oberhausen manifesto is reprinted in Film Manifestos and Global Cinema Cultures.

Glastonbury Festival 2025



In the UK, Avon and Somerset Police are investigating the punk duo Bob Vylan after their performance at the Glastonbury Festival yesterday. Bobby Vylan, the group’s front man, led the crowd in a chant of “death, death to the IDF”, a reference to the Israel Defense Forces. The police issued a statement on social media: “Video evidence will be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.”

Police are also examining video of the Irish rap group Kneecap’s performance at Glastonbury on the same day. On stage, Móglaí Bap called for fans to “start a riot” outside court when his fellow band member Mo Chara’s trial on terrorism charges begins. (A few minutes later, after realising that his comments could be construed as an incitement to violence, he explained that he wasn’t literally asking people to riot.)

25 June 2025

Taklee Genesis


Taklee Genesis

“Make sure we’re not forgotten.”
Taklee Genesis

Chookiat Sakveerakul’s Taklee Genesis (ตาคลี เจเนซิส) will be shown at the Thai Film Archive in Salaya on 14th and 23rd July, as part of the พระเจ้าช้างเผือกและหนังเพื่อสันติภาพอื่นๆ (‘The King of the White Elephant and other peace films’) season. Taklee Genesis features time travel, dinosaurs, kaiju monsters, zombies, cavemen, the Cold War, a dystopian future, and the 6th October 1976 massacre at Thammasat University, all woven together into an ambitious sci-fi epic.

In a prologue that takes place in May 1992 (an unspoken reference to ‘Black May’), a young girl witnesses “dead bodies falling from the sky.” These are students who died during the Thammasat tragedy, their bodies teleported by the Taklee Genesis device, a time machine that can create alternate realities. As one character says: “Taklee Genesis was used to cover up a massacre.”

When the girl, Stella, grows up, she learns that her father was a CIA agent involved in the development of the Taklee Genesis. One of the project’s test subjects, Lawan, was transformed into a forest-dwelling spirit, like the monkey ghost in Uncle Boonmee Who Can Recall His Past Lives (ลุงบุญมีระลึกชาติ), another supernatural personification of the legacy of the Cold War.

Stella and her friend Kong use the Taklee Genesis to travel back in time to Thammasat on 6th October 1976, after Kong discovers that he is one of the massacre victims who fell from the sky. Chookiat recreates the violence of that day, showing Red Gaur militiamen gunning down students. A young boy stands alone on a balcony laughing at the carnage, in a reference to a smiling onlooker in a photograph by Neal Ulevich. (The artist Khai Maew created a model of the child, which he called Happy Boy.)

Thanks to the Taklee Genesis, Kong has the chance to fight back against the vigilantes who have stormed the campus. This fantasy scenario, in which a Thammasat victim is given the agency to tackle his potential killers, is similar to the alternate history narrative in Preecha Raksorn’s comic strip Once Upon a Time at..., in which the victim in Ulevich’s photograph escapes from his assailant.

Discussion of the Thammasat massacre was suppressed for years, not by the fictional Taklee Genesis device, but instead by successive military governments. Today, it’s primarily through photographs of the event, particularly the famous image by Ulevich, that the incident is remembered. In one of the film’s most powerful moments, Kong takes a roll of film from the camera of his Thammasat classmate and gives it to Stella, telling her: “Make sure we’re not forgotten.”

The Thammasat massacre is a notorious incident in Thailand’s modern history, though it has rarely been represented on screen. The 6th October scenes in Taklee Genesis are almost unprecedented: the only previous attempt to dramatise the brutality of the event was in the horror film Haunted Universities (มหาลัยสยองขวัญ), which was cut by the Thai film censors.

Jaws (4k blu-ray)


Jaws @ 50

Steven Spielberg’s iconic blockbuster Jaws was first released fifty years ago, in 1975. The new fiftieth anniversary 4k blu-ray from Universal is a repackaging of the previous edition, though it does include one additional blu-ray disc: the new documentary Jaws @ 50: The Definitive Inside Story. The feature-length documentary was directed by Laurent Bouzereau, who made the excellent The Making of Jaws for the film’s ‘signature edition’ laserdisc in 1995. (Bouzereau also directed the superb The Making of Psycho for that film’s ‘signature edition’ laserdisc.)

Jaws @ 50 has an awkward title (surely the ‘@’ symbol wasn’t necessary?), but it includes new interviews with Spielberg, who is more open about the personal impact of Jaws than he has been in previous interviews. Its release on blu-ray came almost a month before its 10th July broadcast on the National Geographic Channel.

The Shark Is Still Working

There have already been a handful of decent Jaws documentaries — Bouzereau’s in 1995, In the Teeth of Jaws from BBC2 in 1997, The Shark Is Still Working in 2007, and Jaws: The Inside Story from the Biography Channel in 2010 — but Jaws @ 50 still manages to present some previously unseen behind-the-scenes footage and new production anecdotes. (The Shark Is Still Working, which covers the film’s cult following in a bit too much detail, is included on recent Jaws blu-ray and 4k releases.)

Unfortunately, none of the many Jaws releases on DVD, blu-ray, and 4k — including the fiftieth anniversary edition — has ever featured a lossless version of the film’s original mono soundtrack. This means, incredibly, that the laserdisc’s PCM audio is still the best version of the film’s soundtrack. (Incidentally, the same is true for The Godfather and Taxi Driver: their laserdisc PCM tracks are also superior to the audio available on any DVD, blu-ray, or 4k discs.)