Whereas theatrical backdrops are often stylised, cinematic backings are (like matte paintings) designed to deceive the audience: to create a realistic 2D simulation of a 3D environment. As the authors explain, "backings created for the movies of Hollywood were rarely recognized for what they were - nor was that their purpose. These special effect backings, the largest paintings ever created, were breathtaking in their artistic and technical virtuosity."
Aside from double-page photographs of Georges Melies and Fritz Lang, The Art Of The Hollywood Backdrop is devoted entirely to films from the American studio system. A 100-page introduction traces the history of the Hollywood backdrop, and subsequent chapters profile individual backdrop artists. This is a substantial and comprehensive book, lavishly presented in a slipcase. It has 300 illustrations, many of which are stunning full-page photographs (though twenty-eight pages on Lemony Snicket's A Series Of Unfortunate Events is perhaps excessive).