Polanski has confined his dramas to domestic spaces before, in Repulsion, Rosemary's Baby, and Death & The Maiden, though Carnage is too blackly comic to achieve the intensity of those earlier films. The dialogue is consistently witty, though the action ultimately becomes unrealistically exaggerated and at the end nothing seems to have happened. Waltz and Foster dominate, and they are both satisfyingly unsympathetic, but Reilly and Winslet's characters are under-developed. Waltz was much more charismatic in Inglourious Basterds.
01 February 2012
Carnage
Polanski has confined his dramas to domestic spaces before, in Repulsion, Rosemary's Baby, and Death & The Maiden, though Carnage is too blackly comic to achieve the intensity of those earlier films. The dialogue is consistently witty, though the action ultimately becomes unrealistically exaggerated and at the end nothing seems to have happened. Waltz and Foster dominate, and they are both satisfyingly unsympathetic, but Reilly and Winslet's characters are under-developed. Waltz was much more charismatic in Inglourious Basterds.