Kusama Yayoi's Dots Obesssions (1999) features polka dots stuck to the floor, on the walls, and hanging in mid-air. Yanobe Kenji's Giant Torayan (2005; a metal robot standing three storeys high), is the exhibition's most iconic sculpture, though Miyajima Tatsuo's Mega Death (1999; vast LED displays emitting an ominous blue glow) is an even more stunning installation.
Many of the artists are influenced by Sekaikei, a narrative genre which avoids historical, political, or social commentary, and the result is a collection of hyper-real pieces in a bright Pop Art style.